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Fonts for Text Areas Below is a great article by my friend Shirley Kaiser, and it deals with fonts for the web. Be aware that she is mainly speaking about fonts that are used in graphics. Fonts that are used for text areas are a little bit different. There are only 6 fonts that should be used for text areas of any site. The main reason for this is that some browsers will not show any more than these 6, and if another font is choosen, then the browser's default font will be shown. It is impossible to determine which default font will be displayed on another person's browser, resulting in a unpredictable and possibily unattractive looking site.

Below are the 6 main fonts viewable in 100% of all browsers:

Font - Size (2)
Size (3) Average
Arial, Helvetica, sans-serif Arial, Helvetica, sans-serif
Times New Roman, Times, serif Times New Roman, Times, serif
Courier New, Courier, mono Courier New, Courier, mono
Georgia, serif Georgia, serif
Verdana, sans-serif Verdana, sans-serif
Geneva , san-serif Geneva , san-serif

Font - Size (4)
Size (3 Bold)
Arial, Helvetica, sans-serif Arial, Helvetica, sans-serif
Times New Roman, Times, serif Times New Roman, Times, serif
Courier New, Courier, mono Courier New, Courier, mono
Georgia, serif Georgia, serif
Verdana, sans-serif Verdana, sans-serif
Geneva , san-serif Geneva , san-serif

If you look very carefully, each of the above fonts looks slightly different. Can you determine which one I prefer? What do I use for the titles? The headings? The ones most widely used are Arial and Times New Roman, because they are generally the easiest to read. Any other fonts that you may want should be used as a graphic, or else used vary sparingly.


Why Do Some Beautiful Fonts in Print Look Horrible on the Web? From Shirley Kaiser A font chosen by a publisher is beautiful (and appropriate) in print at various sizes but lousy on the Web in a comparable small size for the companion site I'm in the midst of designing right now. Why does that happen? I'll explain some of the basics below.

Choosing Fonts For Web Graphics To choose appropriate fonts to use for your Web graphics, first let's do a quick review of anti-aliased text. Below is a sample of anti-aliased and aliased text with Garamond. Notice the smooth edges of the anti-aliased text and how jagged the edges are with the aliased text:
sample of aliased and anti-aliased text - using Garamond, font size 172, created in Photoshop 7.


As shown in the magnification to the left, the anti-aliasing smooths the curved edges by adding intermediate colors to the edges.

And look how jagged the same letter edges are with the aliased text. Big difference, isn't it?! Well, curves and diagonal lines on-screen will be jagged like that unless they're anti-aliased.

How does anti-aliasing impact the fonts you choose to use on-screen for Web graphics?

If anti-aliasing smooths the curves and diagonal lines in your on-screen fonts, the problem is solved for creating Web graphics, right? Well, no unfortunately. I'll explain why.

Variances among font designs:

  • The curves, diagonal lines, and widths of characters can vary substantially with the particular font design and shape of each letter, number, or symbol. Therefore, the anti-aliasing can also vary, naturally. Each font must be evaluated for its clarity when anti-aliased at the particular size needed, too (more on font sizes below).

    In the sample below using anti-aliasing for each one, check out which are readable and clear, which are unreadable, and which are somewhere in between at 12px and 30px.

  • Many fonts are designed for print at high resolution and when transferred to on-screen use will not adapt well. (Print also is based on dots, not squares.) Fonts for on-screen use are created with square pixels in mind. This can make a big difference in clarity, especially in terms of anti-aliasing.

  • Some fonts are more square in their character designs and don't need to anti-alias as much as a result, coming across on the Web as far more clear and clean. If there's a lot of anti-aliasing, the letters can appear blurry, and sometimes can be too blurry to read well on the Web.

  • Another consideration with fonts and anti-aliasing is how fat or thin each line is within a character. Fatter, more square fonts may work better for Web graphics than fonts with narrow and more curved lines.

    Italic fonts are by nature more diagonal, thus having more anti-aliasing and potentially blurred lines. Therefore, they may need more care or avoid them (there are ALWAYS exceptions).

    Thin handwriting fonts can be beautiful in print but may end up looking too blurry on-screen because of the amount of anti-aliasing compared to the thin line widths and usually combined with more curves and diagonals.

  • The smaller the font size becomes, the more compacted all the curves become, and the smooth lines can end up becoming blurry. When letters are larger, they usually appear more clear and clean around the edges. However, if you use its aliased counterpart instead, the spacing between letters may not be even and they may still look jagged.

    Here's what happens with the well-known Helvetica font at 20px, 18px, and 16px, shown below as aliased and anti-aliased:
    Samples of Helvetica font at 20px, 18px and 16px shown as aliased and anti-aliased
    Here's what happens with the Helvetica font at 12px, 10px, and 8px, shown below as aliased and anti-aliased:
    Samples of Helvetica font at 12px, 10px and 8px shown as aliased and anti-aliased
    Pictures speak 1,000 words, don't they?






  • 336-408-9075
    Rich@RichsWebDesign.com


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